Marie Antoinette (1938) Review: The Good, The Bad & How to Watch

  Marie Antoinette (1938) Review: The Good, The Bad & How to Watch  American Film, Drama, History Venice Film Festival, 1938- Winner: Best Actress Academy Awards, 1939- 4 nominations including: Best Actress in a Leading Role When Metro-Goldwyn-Mayer poured an astronomical budget into bringing the doomed French queen to the silver screen in nineteen thirty-eight, Hollywood was not merely making a movie; it was constructing an entire vanished world. Directed primarily by W. S. Van Dyke, Marie Antoinette stands today as one of the ultimate monuments to the golden age of American cinema, a sprawling historical epic that blends lavish romance with the looming terror of the French Revolution.  More on Wikipedia or Mubi  Cinematic Splendor and Tragedy in Hollywood's 1938 Marie Antoinette  At the heart of the production is Norma Shearer, reigning royalty of the studio lot and widow of legendary producer Irving Thalberg, who had passionately championed the pr...

Red Carpet looks from the 2025 Cannes film Festival


 This year, there may well be some changes on the Cannes red carpet, as a new dress code strictly prohibits sheer or “naked” dresses, as well as any outfits that are considered obstructive.

 “For decency reasons, nudity is prohibited on the red carpet, as well as in any other area of the festival. Voluminous outfits, in particular those with a large train, that hinder the proper flow of traffic of guests and complicate seating in the theater are not permitted,” the festival’s official charter reads. “The festival welcoming teams will be obligated to prohibit red carpet access to anyone not respecting these rules.

Of course, the Festival de Cannes has always maintained pretty strict (and sometimes sexist) rules, from guidelines about the length of attendees’ skirts to restrictions on people’s footwear (and historically, many stars have broken them). So, only time will tell how guests actually interpret the dress code this time around.

As a venue for some of the finest new entries in international cinema, the Cannes Film Festival also acts as an arena for some of the most glamorous red-carpet fashion, having brought us countless iconic looks over the years, from Madonna’s Jean Paul Gaultier cone bra and voluminous pink taffeta jacket to Natalie Portman’s petaled Dior gown and Yseult’s modern reimagining of “The New Look.” 

Comments