Elephant Boy (1937) Review: The Good, The Bad & How to Watch British Film, Adventure Venice Film Festival, 1937- 2 wins including: Best Director National Board of Review, 1937- Winner: Top Foreign Films Long before CGI could conjure up entire jungles at the click of a button, cinema had to rely on the real deal. In 1937, Robert Flaherty and Zoltan Korda teamed up to deliver Elephant Boy , an adventure film that stands as a fascinating bridge between raw documentary realism and classic Hollywood storytelling. More on Wikipedia or Mubi The Raw Magic of Elephant Boy The movie is adapted from "Toomai of the Elephants," a short story out of Rudyard Kipling’s iconic The Jungle Book . It follows a young, spirited Indian boy who dreams of becoming a great hunter, just like his father and grandfather before him. When a massive elephant hunt is organized, Toomai sets out to prove his worth, forming an unbreakable bond with a legendary, giant elephant named Kala Nag. W...
The Royal Family of Broadway (1930) Review: The Good, The Bad & How to Watch
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The Royal Family of Broadway (1930) Review: The Good, The Bad & How to Watch
American Film, Comedy, Romance, Mystery
Academy Awards, 1931- Nominee: Best Actor in a Leading Role
The early years of talkies were a chaotic, experimental gold rush, but few films captured the transition from stage to screen with as much wit and bite as the 1930 classic The Royal Family of Broadway. This isn’t just a movie about actors; it is a sharp, affectionate, and often hilarious skewering of the Barrymore dynasty, disguised under the thin veil of the "Cavendish" name. More On Wikipedia or Mubi
Glamour, Ego and the Golden Age of the Cavendish Clan
At its heart, the story follows a family of theatrical aristocrats who treat the stage like a divine calling and real life like a tedious rehearsal. Ina Claire and Fredric March lead the charge, with March delivering a performance that is nothing short of legendary. He plays Tony Cavendish, a thinly veiled caricature of John Barrymore, complete with the dramatic flourishes, the frantic energy, and a chaotic personal life that constantly threatens to upstage his career.
What makes this film endure nearly a century later is how it balances the absurdity of celebrity with the genuine pull of tradition. The conflict is timeless: the younger generation flirts with the idea of a "normal" life—marriage, kids, and a quiet existence away from the footlights—only to realize that the roar of the greasepaint is in their blood. The dialogue snaps with the rhythm of a high-speed train, a hallmark of the original George S. Kaufman and Edna Ferber play that served as its foundation.
The Royal Family of Broadway captures a specific moment in American culture when Broadway was still the undisputed center of the artistic universe, even as Hollywood began to steal its brightest stars. It’s a fast-paced, sophisticated comedy that proves ego and talent have always been the most entertaining combination in show business. Whether you are a fan of theater history or just love a good comedy about a dysfunctional family, this film remains a sparkling reminder of why we fell in love with the stars in the first place.
The Brilliance and the Dust of the Cavendish Legacy
Looking back at a relic from 1930 requires a bit of mental time travel. The Royal Family of Broadway is a fascinating artifact that perfectly illustrates why the early talkie era was both exhilarating and incredibly awkward.
The Good:
The undeniable soul of the film is Fredric March. His performance as Tony Cavendish is a masterclass in controlled chaos. He doesn’t just play a character; he channels the spirit of John Barrymore with such athletic, scenery-chewing energy that he practically leaps off the screen. It’s no wonder this role earned him an Oscar nomination. The script, born from the minds of George S. Kaufman and Edna Ferber, is packed with the kind of sophisticated, rapid-fire wit that defined the era. It captures that romantic, manic obsession with "The Theater" as a sacred calling, making it a must-watch for anyone who loves the history of the stage.
The Bad:
However, the film carries the heavy baggage of its time. Because it was made during the transition from silent films to sound, the camera often feels stuck in the mud. The direction is static, making the whole production feel more like a filmed stage play than a dynamic cinematic experience. The pacing can feel jerky to modern eyes, and the melodrama occasionally tips over into "too much." There is also the reality of 1930s production values—the sound quality can be thin, and some of the supporting performances feel stiff and unnatural compared to the vibrant energy of the leads.
Ultimately, its greatest strength is also its weakness: it is a very specific "insider" tribute. If you aren't familiar with the Barrymore family or the tropes of old-school Broadway, some of the sharper satirical stings might feel a bit muted today.
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